Do you understand each Shabana Azmi and Javed Akhtar known as up Karan Johar after the discharge of his 1998 directorial debut Kuch Kuch Hota Hai? But for various causes. Shabana chided Karan for his anti-feminist gaze on the monitor of Anjali (Kajol). And Javed admitted he was fallacious for turning down the movie for its, nicely, sexually suggestive title.
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But that is what Karan Johar and his filmography have stood for: excessive polarisation, even from two minds who suppose alike. This dichotomy stems from the guts and thoughts of an evolving filmmaker, who’s as a lot a fan of the mainstream Hindi films as a lot as its reluctant critic. He’s as a lot a Dafli Wale dancer as a Balenciaga cheerleader. And he is as a lot a closeted traditionalist as a work-in-progress woke.
That’s precisely why 25 years after his first movie, Karan feels compelled to validate the woke discourse round it. He does not solely nod to all of the regressive strokes, however in reality factors at them himself and shares a hearty snicker along with his naysayers. He could attribute wokeness to midlife disaster, however he is actually a self-aware filmmaker who is aware of how you can take a joke.
Anjali’s transformation
The most typical ache level that he pleads responsible to from Kuch Kuch Hota Hai is Shabana’s gripe with the movie. Why does Rahul (Shah Rukh Khan), the cool dude on the block, feels the hots for Anjali solely when she wears a sari, and never when she’s a tomboy in school. But have not all of us labored onerous on ourselves with a purpose to search validation?
Compare Anjali to Poo (Kareena Kapoor) from Karan’s 2001 household drama Kabhi Khushi Kabhie Gham. Pooja, a woman from Chandni Chowk shamed and bullied by the youngsters from wealthy households in her childhood, milks the gasoline, the gap, and the chance to work onerous on herself and develop into the thing of want in her London school.
Sure, Anjali has left school quite the opposite, and does not also have a new, aspirational land to select up from. But if an Ayan (Ranbir Kapoor) can gasoline his unrequited love into his music in Karan’s 2016 romantic musical Ae Dil Hai Mushkil, then why cannot Anjali channel it into self-care and win a prospect like Aman (Salman Khan) for marriage?
More than that, Anjali is an autobiographical image of Karan’s personal struggles of becoming in. He self-admittedly took lessons to work on his character, even on his baritone, in order that he does not come throughout as too effeminate. For him to make Anjali reunite with Rahul does not quantity to condoning Rahul’s regressive gaze, however portray a silver lining for himself by way of fiction.
Aman > Rahul?
The second ache level, that even Kajol agreed with not too long ago, is why would Anjali not select Aman, whom the actor described as “the cooler man”? Well, because women don’t always want men who will keep them happy, but men who know what happiness means to them.
Go back to the conversation between Naina (Preity Zinta) and her mother Jennifer (Jaya Bachchan) in Kal Ho Naa Ho (2003), a film which Karan wrote and Nikkhil Advani directed. Jennifer says Rohit (Saif Ali Khan) has the strength to love a woman who loves another man, unlike her father who undermined Jennifer’s strength and ended his life because he fell in love with someone else. The Amans of the world (Shah Rukh Khan) may sacrifice their love because they are dying, but the Rohits of the world have the emotional intelligence to know when to back off, when to lend a shoulder, and when to take the leap with their partner.
Or take Karan’s 2006 film Kabhi Alvida Naa Kehna. Maya (Rani Mukerji) doesn’t love back her overtly romantic husband Rishi (Abhishek Bachchan), but is attracted to the acerbic, reckless other man Dev (Shah Rukh Khan). She feels borderline repulsed by Rishi: why wouldn’t she? He doesn’t take no for an answer. Dev, on the other hand, will show her the mirror, but also let her be.
‘Pyaar ek hi bar hota hai…’
Another argument that often crops up is how Rahul always preached “Hum ek bar jeete hain, ek bar marte hain, shadi bhi ek bar hoti hai, aur pyaar bhi ek hi bar hota hai.” Karan jokes that Rahul didn’t take the last part as seriously. But that’s the whole point: to make Rahul eat his own words. He had no plans to remarry, but can’t help it when Anjali reenters his life. It’s she who turns him into a hypocrite years after he friendzoned her. Let’s sing ‘Rahul is a cheater’ in that annoying tone?
Karan is a bit of both Rahul and Anjali. Growing up, to him, involves both transforming physically and sartorially and shooting down his rigid beliefs. As far as the most glaring loophole in Kuch Kuch Hota Hai is concerned, how did the one or two-year-old Anjali read the first two of the nine letters her mother left behind? Let’s slide in what Karan had been reiterating throughout, “Tum nahi samjhoge, kuch kuch hota hai.”
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Source web site: www.hindustantimes.com
