Kareena Kapoor’s Maya resides an nameless, remoted life at a hill station in Sujoy Ghosh’s Jaane Jaan. We know by way of flashes that she was once a vivacious lady, and resides a diametrically reverse life now, after heartbreak. Maya is not any Geet, however there’s absolutely a parallel right here to Imtiaz Ali’s Jab We Met (2007).
(Also Read: Jaane Jaan assessment: Even spectacular Kareena Kapoor, Vijay Varma, Jaideep Ahlawat can not save this disjointed thriller)
Jab we cared
Of course, one cannot put Anshuman, the clueless and detached crush of Geet in Jab We Met, to her abusive, exploitative husband in Jaane Jaan. But we shared Kareena’s crushing heartbreak due to what it did to her inside out. She tumbled down from the perennially enthused dreamer within the first half to the melancholic, lifeless realist within the second. When we see a glimpse of the previous Geet within the scene the place she hurls abuses at Anshuman over cellphone, it feels cathartic as a result of she positive aspects a little bit of herself that she misplaced.
But do we all know Maya in any respect? Was she a dreamer like Geet too? Or a realist as a substitute? When we see her confront her estranged husband, we see worry and concern, however just for her daughter. We don’t have any reference level to her personal previous self. Even the flashback glimpses, the place we see her pole-dancing, it is one other youthful actor in there, solely including to the alienation we really feel in direction of Maya.
The Supreme Seductress
Two years after defending her husband within the courtroom of legislation towards a seductress making false claims in Aitraaz (2004), Kareena weaponised seduction to lure males to dying to be able to avenge her husband’s homicide. In Farhan Akhtar’s Don (2006), Kareena went all gold-glam to seduce Shah Rukh Khan’s titular character. You may see her mess around together with his gun (pun supposed) as she lip-synced to Ye Mera Dil. Sure, she could not get the job executed, however solely Roma (Priyanka Chopra) may come as near killing Don. High testosterone is clearly his Kryptonite.
In one other Farhan manufacturing, Reema Kagti’s Talaash: The Answer Lies Within (2012), Kareena seduced one other Khan – Aamir this time – as a ghost. She makes use of him as a pawn to punish these answerable for her dying. However, in Jaane Jaan, Kareena is simply witnessing issues occur to him. A person keen about her (Jaideep Ahlawat) wants completely no seduction right here. Similarly, when Kareena switches on the previous bar dancer inside and sings Lata Mangeshkar’s coquettish greatest, Aa Jaane Jaan from RK Nayyar’s Inteqam (1969), to the cop investigating her (Vijay Varma), she does so moderately casually, as a substitute of deviously utilizing her abilities to regulate males susceptible to her intercourse enchantment.
No love misplaced
There’s no reference to how Kareena fell for an abusive man in Jaane Jaan. Was she tricked into it or was it a real sweep off the toes? For occasion, in Rensil D’Silva’s Kurbaan (2009), Kareena is wooed by Saif Ali Khan’s character who marries her to get a inexperienced card. When she learns of her terrorist background, she tries her greatest to avert his plans, however ultimately, when she sees Saif succumb to bullet accidents by the police, she will be able to’t assist however bawl, considering with him of their life that might’ve been.
Similarly, in Madhur Bhandarkar’s Heroine (2012), Kareena’s Mahi, a number one actor, calls for her boyfriend (Arjun Rampal) embrace and settle for her in public, however he finally ends up abusing her and throwing her off his automobile. Instinctively, Mahi’s response is to report abuse to the cops. But later within the movie, throughout a profession low, she finally ends up collaborating along with her ex, a profitable filmmaker.
One does not want she treats the abusive husband with any leniency, however the one ask is a few complexity, in the case of dealing with of relationships. A girl, nevertheless protecting she is as a mom, can not fully divorce herself with the emotions she had for somebody she used to like.
Jaan-e-jaan
In final 12 months’s Laal Singh Chadha, we noticed her character Rupa get drawn in direction of a wealthy, abusive man. But we additionally knew the motive: the daughter of a poor, alcoholic, and abusive man and his distraught spouse, Rupa assumed marrying wealthy was the panacea. But when she will get caught in the identical cycle of abuse within the course of, she thinks of ending her life one night time. When she reunites along with her childhood buddy Laal (Aamir) and learns of the extraordinary life he has led out of affection, she repents at how she wasted her entire life whereas working on worry.
On the opposite hand, in Vishal Bhardwaj’s Omkara (2006), she appears to have a contented relationship with the titular character (Ajay Devgn), until one other man (Interestingly, Saif) feeds into her husband’s male ego and insecurity and leads him to consider she has one other affair. This culminates in a terrific scene, the place Kareena’s Dolly stares at her husband in disbelief as he accuses her of sleeping round. Even when he kills her on their wedding ceremony night time, the expression that stays on her face is so heart-wrenchingly memorable that it forces him to finish his life in addition to her upon studying that he is been misled.
spoiler alert
Dying in guilt or making others die out of guilt is what Kareena Kapoor has mastered on display throughout her profession. In Jaane Jaan, when she kills her abusive husband whereas defending her daughter, her expression on the epiphany is colored with aid: as if she’s within the labour room, and the umbilical wire along with her previous trauma has been reduce. We wanted extra of that Kareena by way of the movie, as a substitute of counting on an unrequited lover to do the remainder of the job for her.
Jaane Jaan is streaming on Netflix India.
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Source web site: www.hindustantimes.com
