Lost is likely one of the uncommon movies I’ve watched not too long ago the place an awesome construct up culminates right into a relatively uninteresting climax, leaving you with many unanswered questions. Director Aniruddha Roy Chowdhury’s Lost, starring Yami Gautam, has an fascinating premise, however it seems to be a half-baked try at touching upon some poignant points. At one level, you’re feeling the massive reveal would take your breath away and when issues unfold, there’s little or no that surprises you. (Also learn: The Romantics Review: The YRF Docu-series works finest when it focuses on movies over household)
Set in Kolkatta, and impressed by true occasions, Lost narrates the story of a younger crime reporter Vidhi Sahani (Yami Gautam), who’s married to Jeet (Neil Bhoopalam) however she lives together with her nanu (Pankaj Kapur). She is investigating a narrative after a younger theatre activist Ishaan Bharti (Tushar Pandey) instantly goes lacking. Soon, Vidhi discovers the involvement of a woman Ankita Chauhan (Pia Bajpiee) who was in a relationship with Ishaan, and is now vying for an MLA’s seat, working below the aegis of a longtime political chief Ranjan Varman (Rahul Khanna). Will Vidhi be capable of be a part of the dots and discover Ishaan? Are Ankita and Ranjan really concerned in his disappearance? Lost traces all these factors however by no means hits you arduous sufficient or highlights the principle subject. An partaking first half retains the intrigue excessive, however the second half fails to maintain the momentum.
Written by Shyamal Sengupta and Ritesh Shah, the story has method too many free ends which might be tough to miss. It picks and drops tempo with out caring an excessive amount of about holding on to viewers’s curiosity. Bodhaditya Banerjee’s enhancing is patchy at locations and a few parts look abruptly stitched collectively.
What I discovered primarily problematic with Lost is that it tries to speak about too many issues and will do justice to none. There are reference to gender bias at work, deep-rooted patriarchy, corruption within the system, marriage woes and naxal terror. In one of many scenes, Vidhi’s mother and father, who don’t approve of her occupation, name crime journalism ‘mardon wali field’. And we hear Nanu come to her rescue defending the notion, calling twenty first century ‘progressive’. Another sequence has a video name between Vidhi and the chief of the naxalite group however it doesn’t set off you. So every little thing stays on the floor and the observe by no means will get sufficient consideration to have the ability to make an impression.
Though it’s tough to salvage a half-baked script, some performances considerably stand out. Gautam will get into the pores and skin of a criminal offense reporter fairly effortlessly and by no means leaves her character. At no level she goes overboard and the management she brings whereas doing emotionally charged scenes is one thing I actually preferred. Khanna because the dashing politician is extraordinarily spectacular. Not solely he has charming display screen presence but additionally his grip on character is one thing that leaves you desirous to see extra of him. Kapur is a deal with to observe onscreen. The movie provides him ample scope to throw some heavyweight strains, largely giving life classes to Gautam when she’s going through a dilemma. The scenes between Gautam and Kapur are extraordinarily endearing and shifting and maybe the spotlight of the movie. Bajpiee has a lot potential however I felt her character wanted a lot extra depth. As Ankita, she has so many layers however there was one thing amiss. Bhoopalam is totally wasted within the story and has nothing so as to add that might take the narrative ahead. His handful scenes with Gautam are simply so forgettable.
Lost is watchable possibly just for yet one more positive efficiency by Gautam, who doesn’t disappoint and stays true her craft. Otherwise the movie takes title fairly actually.
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