Naatu Naatu lyricist Chandrabose: I received one second to talk on the Oscar stage, and that was sufficient to create historical past

When filmmaker Gunnet Monga was not given the chance to talk on the Oscar stage after her documentary The Elephant Whisperers received an award, it invited criticism from all corners. However, what many failed to note was that even Chandrabose, whose penned the lyrics for Naatu Naatu that an Oscar within the Original tune class, didn’t get greater than a second to talk after the composer MM Keeravani gave the profitable speech. But the lyricist has “no complaints” in any way.

Naatu Naatu lyricist Chandrabose talks about his Oscar win and that moment on stage. (Getty Images via AFP)
Naatu Naatu lyricist Chandrabose talks about his Oscar win and that second on stage. (Getty Images through AFP)

He says even one second at a stage like that’s sufficient. “Keeravani sir was given 45 seconds but he spoke for only 30 and the music started playing. Whereas I got just one second to speak and the only word I uttered was ‘namaste’ and that was enough to create history,” says Chandrabose, who didn’t lose coronary heart that he couldn’t say extra.

“I know that winning the Oscar is enough, but for me, words are my treasure as well as my strength. Saying that one word made me extremely happy and proud. Namaste became history. That’s why I always say that we don’t need hours to make history. Even one second is enough,” he provides.

But by no means in his wildest goals, Chandrabose had thought that his tune would find yourself bringing India a lot honour. “I worked on it like any other song of mine- with full honesty and dedication.” But what made it stand out was the truth that it had a “local flavour to it,” Chandrabose tells us, including, “The song has a rural setting and reflects my memories, my childhood, the village I grew up in. It came straight from my heart. And since we incorporated elements of our culture in it, people in the west found it fresh. They loved and embraced it and I believe that’s the definition of art; it is to take the local culture to the global stage…to popularise our art through international platforms.”

And at the moment, the celebrated lyricist is extraordinarily completely satisfied because the tune has turn into “a mantra ucchaaran – a chant”, for the folks. “Whether it’s the Chinese, Americans, Japanese etc, everyone is dancing to the song even when they don’t understand the lyrics. The sound get into the head. It’s the same case with veda mantra. We don’t understand what it mean, but there is a sort of energy that get us addicted to it. Everybody connected with the rhyming of words, the sounds – the phonetics of it,” he beams with pleasure.

However, this journey of reaching the Oscar stage has been no much less then a “pariksha” despatched to him by the Almighty. Looking again at that magical second, he recollects, “God tested his patience when it came to creating this masterpiece. I wrote 90% of the song in mere 45 minutes and went to (filmmaker) SS Rajamouli sir to get his approval. He liked it and passed it on to Keeravani sir, to work on the composition. Keeravani worked on it for a long because sometimes the lyrics would not fit the tune, while other times tune had to be changed to retain the lyrics. And after several versions and discussions later, the very first tune composed by Keeravani sir was locked.”

As the tune was recorded and the staff went to Ukraine to shoot it, Chandrabose additionally moved on to a different venture. “I was in Chennai working on Pushpa when I got a call from Rajamouli sir, who said that he want to change the last rap as he was not satisfied with it. I had no time so I requested director Bandreddi Sukumar to give me a 20 minute break to work on the rap. I wrote another version of it, which was instantly accepted by the team. They recorded it and the shoot continued. That was the last correction I did on the song Naatu Naatu.”

Before concluding, he shares, “God tested my patience while I was working on this song and I think I passed it with flying colours. Not even for a second during these 19 months, I felt frustrated or annoyed about the constant efforts that I had to put in making the changes. In fact, if he (Rajamouli) would ask me for one change, I would give him three alternatives. My only aim was to satisfy my director.”

Source web site: www.hindustantimes.com

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