There was a time when artwork of seduction was presumed because the love language, which was additionally mirrored on this planet of cinema. And the #MeToo motion has wiped that off, which filmmaker Shekhar Kapur considers is a good change.
“There was a time when we thought that the idea of sexuality is that you had to seduce the girl. Now, if I seduce a girl, I will be caught in the #MeToo movement,” Kapur says.
The filmmaker elaborates, “Now, this thought is not there, and the girl is also a decision maker as much as the boy. It is about being consensual. The idea that, ‘Haye kitna sharmati hai’, and that the girl is supposed to be shy, and you are supposed to be there to seduce her out of her shyness, is now MeToo. And we have let it go.”
Kapur, who’s again on this planet of cinema together with his Hollywood mission, What’s Love Got to Do with It?, feels the #MeToo motion has had an enduring affect within the cinema world.
“It has been a very good movement for the whole industry, and it was something which was needed. We could not have gone on in the way that we used to earlier. For instance, when I was working on Masoom (1983), and went out to look for a child actor, everyone I spoke to didn’t want to enter the industry. Because they didn’t trust us. They didn’t trust how the women are treated here. They thought that women were not treated well. The way we looked at women was wrong. And now that has changed,” says the filmmaker, whose final feature-length directorial effort was the Cate Blanchett-starrer drama Elizabeth: The Golden Age in 2007.
When it involves his tasks, he has all the time tried to interrupt the thought by brining deliver the multi-faceted aspect of womanhood by means of his tasks be it Bandit Queen (1994), Mr. India (1987) or cross-cultural mission, What’s Love Got to Do with It?.
“With every project of mine, I have inevitably shown a very strong female,” he proudly admits.
Source web site: www.hindustantimes.com
